The adroit lives writers lead, active out their own claimed belief while inventing fabulous ones for the date or screen, is played for amusing aftereffect in Wheaton Drama’s new assembly of “Sex in the Title.”
The appearance opens Friday, Jan. 19, for a 15-performance run that continues through Feb. 11 at Playhouse 111, 111 N. Hale St., Wheaton.
“These guys are holed up in this apartment. They’re aggravating to address a absurdity but, for whatever reason, the absurdity begins to appear about them,” said George Zahora, the Naperville author who wrote the show.
“It’s a farce, a archetypal British farce, except it’s aberant because it’s abominable self-aware,” said Rob Reinalda, Wheaton Drama’s business head.
“It’s a actual meta-type show,” Director Jay Fontanetta said. “I’ve directed farces before, but this is the aboriginal one that has that aspect to it.”
Having absent a alternation of deadlines, their abettor locks two playwrights central what Zahora describes as an empty, arid and abominable accommodation so they can accomplishment their script, uninterrupted.
Of course, interruptions appear and again multiply.
“There are a lot of doors. Absurdity is all about slamming doors and bodies active aback and forth,” Zahora said.
An advice technology specialist by day, Zahora said he began autograph afterwards he got complex with bounded amphitheater groups in his post-college days.
“I capital to accord back. I anticipation maybe what I could do was address a appearance that would be bargain to produce,” he said.
His aim was to actualize a appearance that is “fun for the audience, fun for the cast, not a lot of money to produce, and puts a lot of butts in seats.”
“Sex in the Title,” accounting in 1994, was the result. The appearance was produced in December 1994 by the Albright Theatre in Batavia and reprised by Batavia’s Aboriginal Street Playhouse in January 2006.
“When I wrote the calligraphy originally, cellphones hadn’t proliferated. Cellphones ruin a lot of plots,” he said.
That artifice snag is apparent with a revised calligraphy that explains the playwrights’ aloneness via acutely poor cellphone reception.
Fontanetta said the appearance is fast-paced and relies heavily on comedic timing.
“It’s appealing constant maniacal mania,” he said of the two-hour, two-act appearance that appearance 13 characters played by 12 actors.
Reinalda credibility to a arena involving a annoyance bane as an example.
“The administrator of the architecture comes in to fix the bathroom, which is allegedly abounding with spiders,” he said.
Because the appearance includes developed themes, Fontanetta said it’s advised for complete audiences.
“It is a bedchamber farce. It is animal in nature. Bodies end up in their underwear,” he said.
A accent arts and amphitheater abecedary at Chicago’s West Belden School, Fontanetta frequently works with breadth amphitheater companies, including the North Riverside Players and the Theatre of Western Springs.
“I absolute a lot. My bachelor’s bulk is in administering theater,” he said.
This is Fontanetta’s aboriginal appearance with Wheaton Drama, a accumulation he said he’s been absorbed in alive with for some time.
“I’ve apparent a agglomeration of productions of theirs,” he said.
Zahora, who is currently at assignment on several new scripts, said he has alone by during rehearsals for “Sex in the Title,” but has advisedly fabricated himself deficient so his eyes for the appearance doesn’t adumbrate the casting and crew’s interpretation.
“There’s consistently a assertive bulk of authorial intent. I’ve approved to accomplish it actual British in its artful or spirit,” he said. “I adore seeing how bodies accompany their own account to the show.”
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