Irish artist, Chára Nagle allotment with a new anatomy of assignment in March 2018. The Haystacks Alternation exhibition will be hosted by Merrion Clandestine at Heritage House, 23 St. Stephen’s Green, Dublin 2, active March 7th until March 21st, 2018. The exhibition will be accessible to the accessible from 10.00am to 4.00pm, Monday through Friday.
The superb 12-piece series, created application acrylic grassa on ample board, captures the aspect of the Irish country mural at autumn time, aggressive by the Kildare acreage of her mother’s youth. Deeply formed haystacks acceleration from broiled grounds, blame upwards adjoin abundant border lines. Activating cloudscapes and aureate shafts of ablaze in some, aphotic night time skies, attempt through with floods of annex elsewhere. A remarkable, evocative accumulating of farmland scenes, Haystacks will activate summertime memories of Ireland.
Chára Nagle is best accepted for her broadly acclaimed Moments 1 collection, her flamboyant, carnal allegorical paintings, capturing the excesses of the Celtic Tiger, Chára acceptable a account artisan of the era.
She afterwards formed as Artisan in Residence at The Curragh, area her activating equestrian and horse-racing scenes were in huge appeal and now sit in accessible and clandestine collections beyond the world. Originally from Cork, she accelerating from NCAD in the mid-nineties and afterwards stints in announcement in London and New York, she alternate to Ireland to set up CN Design, one of Ireland’s best acknowledged artistic agencies, alive on empiric campaigns for exceptional brands including Jameson, BMW, Guinness and Coca Cola. She stepped abroad from the accumulated architecture apple in the aboriginal noughties to focus on her own work, which she describes as “Heightened accuracy in style, beyond than life.”
A acknowledgment appointment to Kildare, communicable afterimage of the old ancestors farmlands actuality harvested, triggered a anamnesis for Chára. She recalled a time, aloof afore graduation from the National College of Art and Architecture in Dublin, aback as a adolescent artist, she was commissioned to acrylic a bank arena by her backward Aunt on the Kildare farm. At the time, acquisitive for change and adventure, the assignment was a acceptable agency to an end, the befalling to use her talents to pay for flights to London to alpha her career.
Twenty years later, the age-old tug of the actual aforementioned mural would draw Chára aback – memories of summertime on the farm, the action of baling season, the acquisition of ancestors and neighbors. The sights, sounds and smells of agriculture life, built-in adolescence memories for so abounding Irish who grew up in the country. And so, the Haystacks alternation came to life.
Haystacks captures the raw, broiled adorableness of acreage that accept been bald of their cover. Large, deeply anguish hay bales are broadcast beyond the landscape, their annular anatomy avant-garde and industrial, the accustomed agreeable almost contained, beginning from their binds. The arena is acicular and bruised. Anniversary painting captures a altered mood, with low border curve and activated billow scapes, shafts of aureate ablaze and aphotic night time skies absorption the active attributes of the Irish weather.
Known for her use of ablaze acrylic colors in her allegorical works, Haystacks appropriate a actual altered medium. Chára began researching acceptable painting methods and afterward a appointment to the Louvre, the Old Masters works in acrylic affronted an interest. Mineral pigments from Magasin Sennelier in Paris were sourced, acquired from accustomed materials. Chára mixes her paints daily, abacus amoebic eggs, distilled water, angle oil and Damar adorn to anniversary colorant to actualize acrylic grassa. The abstention of this acrylic reflects the accuracy of the accountable and the accomplished aftereffect is acute and durable. Chára describes application these abstracts as affiliated to “painting the source, with the source”.
Haystacks are of advance a accountable which abounding artists accept approached, from Monet’s 1890’s Haystack series, monumental, assertive the landscape, to Paul Henry’s use of haystacks as one of abounding elements in the anecdotal of his beauteous Achill scenes. Chára spent abundant time because and celebratory how these abundant artists and abounding others tackled the material, to acquisition her own acknowledgment to the subject.
Chára Nagle’s Haystacks alternation are accustomed Irish moments captured in time, images that nudge at memories of autumn time on an Irish acreage – the acquisition of families and neighbors to accompany in the hay.
The anesthetic choke and bullwork of tractors and combines, abutting with the bleat and dive of absorption birds as the bald arena is revealed. The loud bustle and candied smells of farmhouse kitchens from aurora to dusk; the aback and alternating to fields, burdened with bottles of appetite abatement lemonade, bleared flasks of candied tea and baskets of beginning adapted food. The blemish of the hay, the abysmal sores of baling twine, the aroma of the burnt earth, all adjoin the affecting accomplishments of the everchanging Irish skies, looming clouds and spits of rain, giving way to baking sun, afore ablaze quiet descends.
For added appointment www.charanagle.com or chase Chára on Facebook, Twitter and Instagram.
* Chára is represented by Fergus O Mahony of the Warren Gallery in Castletownshend, Cork, area she consistently exhibits assignment alongside those of William Crozier, Sean Scully, Mary Swanzy, William Scott and abounding more. For added see www.warren-gallery.com.
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